A puffin is a puffin is a puffin. Right?

Let’s face it there are lots of places to photograph puffins, so why go to what might seem like the ends of the earth to do so? Fair Isle is a remote island just off mainland Shetland and getting to and from it is fraught with logistical uncertainties. Low cloud, rough seas and erratic timetables all conspire to render boats and planes less reliable than we have perhaps come to expect. Don’t go to Fair Isle then if you’re on a tight timetable. It’s not as if there are billions of puffins there either – like elsewhere in their range, they are in decline – so what makes Fair Isle special?

Lighting, background and viewpoint. These are 3 words that I encourage all photo tour guests to repeat to themselves over and over like a mantra. If you understand the importance of lighting, background and viewpoint, you will see the advantages of Fair Isle. Many of the puffin burrows and loafing areas are in areas of dense thrift, or sea pinks, making the setting particularly attractive. Most allow low, intimate perspectives and the vagaries of the weather throw up some fantastic lighting (as long as you’re prepared to wait). The best thing of all though is the fact that you have the puffins pretty much to yourself 24/7, allowing you to take advantage of the best light at either end of the day. All in all then, it’s a long way to go but from a photographic perspective, it’s one of the best places of all. Sorry, but a day trip to the Farnes just doesn’t compare.

Our Puffin Bootcamp this year focused on primarily just two colonies and we worked them hard with early rises and late finishes. In between the photo sessions we enjoyed fantastic hospitality at the Fair Isle Bird Observatory and we enjoyed lots of great banter – thanks primarily to the invention of the hairdryer and an American propensity for personal trainers (don’t ask but thank to J for being a great sport).

I hope you enjoy these images as much as I enjoyed taking them. Thanks to the folk who joined this tour – hope your legs, necks, backs and feet recover! Next year’s tour is already nearly full so if you’re looking for intensive puffin photography in a fantastic location, join us.


Iceland – fifty shades of grey.

If you’ve found this blog post and are expecting comment on an Icelandic translation of an erotic novel by E.L. James, I’m sorry to disappoint and, if you’re looking for that form of escapism, I’m not sure this post about nature photography will quite do it for you. Thanks anyway for dropping by.

If I was asked for just one word that summed up our recent Iceland tour, that word would have to be Grey. Grey, grey and more grey. Fifty or more shades of it. It can work, grey, but it’s hard work. It’s even harder however, to be angry with Iceland, a place that delivers a constant soundtrack of drumming snipe, bugling swans and piping waders. And big skies of course. Grey but big.

Our recent photo tour kicked off in the south where black sand beaches with troll-like outcrops are caressed by aquamarine waters, where icebergs centuries old calve into lagoons and where on the black lava plateaux, ptarmigan, skuas and golden plover raise their young in the brief window of summer. With almost 24-hr. daylight, we were up early and out late but with just a handful of exceptions, had to make the most of indifferent weather.

Heading west we enjoyed a single sun-kissed evening photographing red-throated divers, that most primeval of all birds and a real symbol of the north. With a confiding pair with well-grown chicks, accompanied by omnipresent phalaropes, our group could indulge their passion for bird photography that would be nigh on possible to replicate elsewhere. The nearby river and waterfalls offered opportunities with whooper swans, fulmars and harlequin ducks, the latter being responsible for a severe drenching of some of our group.

Our final port of call was Iceland’s west coast where we spent a long day on the remote island of Flatey, home to tame redshanks, terns, black guillemots and the ever-present red-necked phalaropes. Thankfully the weather held when it needed to but again, failed to excel itself. The Fish and Chips on the ferry were decent though.

Iceland is one of the most dynamic and fascinating landscapes of the north but it’s charms need to be teased out, it’s secrets are not easily given up. And of course, it’s become a hotspot for nature photographers all attempting to put their own spin on well-visited locations. The bar then, is high before you even start. 10 days, 10 weeks, 10 years – it’s not enough to tell Iceland’s story and so I’ll be back. You’d think there was only so much grey anyone can take? Nah, bring it on.

Thanks as ever to our spirited group and to my co-guide Mark Hamblin who needs to invest in a proper razor (beard trimmers are just plain wrong). As usual we shared ups, downs and lots of stuff in between. If we ever find out who nicked Sue’s sandwich, there’ll be trouble!


Bears, beavers and bugger it – the camera is coming!

What is a holiday? A chance to do what you like doing? Yes, exactly. And I like taking photos which means I take my camera on holiday. No ifs, no buts and no amount of protestation from my good wife.

And so it was I agreed to a holiday in Yellowstone. I say “agreed”, it’s hardly a hardship to spend time in one of the most exciting places on earth. If you’ve never been to this part of the world, it is above all else, exciting. The scenery is gobsmacking, the wildlife abundant but that’s not the attraction for me: Yellowstone is damned exciting. It’s exciting because it’s effectively a volcano spewing and spluttering its intentions ceaselessly; it’s exciting because it was America’s first National Park signalling a new era in land custodianship; it’s exciting because it now attracts 3 million visitors a year; it’s exciting because with the return of wolves in 1995, it is claimed to be one of the last true wilderness areas of the northern Hemisphere. Now, we could debate the definition of ‘wilderness’ all day but anywhere that creeps close to it (especially a place with wild wolves) that also accommodates 3 million people, is VERY exciting to me.

Ian taking some time out…with a friend.

Swan Lake at dawn

Amanda my wife, and our close friends Eileen and Ian, had never been to Yellowstone whereas I had the knowledge built up over many visits with tour groups. This inevitably resulted in me becoming the (unpaid) tour guide, a role that was remunerated only through the occasional opportunity to take pictures – I did less than 1gb in two weeks so please don’t give me a hard time!

Initially based in Mammoth, we took in the famous Lamar Valley where one early start rewarded us with roadside wolf howling, the like of which I’d never experienced. Thick forest prevented a view but we knew…we felt…those wolves were close. From West Yellowstone we saw grizzly and cubs, black bear up close (a bit too close for Eileen), beaver and river otters. One morning we witnessed a young wolf swimming the Yellowstone River and bumped into the same animal close to the road the following day. Moving south we immersed ourselves in the rustic delights of Old Faithful Inn for two nights before leaving Yellowstone for Grand Teton where moose were abundant but the fall colour was regrettably past its best.

These River Otters can really shift – I just managed to grab this shot as a family swam upstream one evening at sunset.

Bison herd at Firehole River

It’s been several years since my last visit to Yellowstone and there was a noticeable change in the profile of visitors with many more nationalities represented –  surely a sign of emerging economic wealth and perhaps in tandem with an increasingly urbanised lifestyle, a latent yearning to flirt with nature? I’m not sure, but it seems that the wilderness is no longer the preserve of wealthy Westerners and although I have concerns about the impact of ever-growing visitor numbers, that is surely no bad thing?

Burnt Lodgepoles at dusk.

Our final day was spent on horseback high above Jackson Hole and in full view of the National Elk Refuge, the controversial wintering grounds for beleaguered elk and not a million miles different from the practice of feeding red deer in Scotland – like I say, for anyone with an interest in the human-wildlife dynamic, this is an exciting place.

The Good, the Bad and the very, very Ugly.

If you scratch beneath the surface of the Yellowstone story – and it’s one helluva of a story – it will draw you in and sink its metaphorical teeth into your heart and mind. Over the years, this place has taught me more about wildness and how different people perceive and relate to that wildness, than anywhere else I’ve been.

The food is crap if you’re vegetarian; the French Vanilla cappuccinos are delicious but too sweet and the monster-sized trucks that pass as family cars get right up my nose (as do photographers that never reduce their tripods below head height) but if you can put up with these minor encumbrances, Yellowstone (and Grand Teton) is a delight.

Amanda after an early start and a lack of caffeine.

The mind-boggling lobby at Old Faithful Inn.

Against the context of the emerging ecological ethos of the Greater Yellowstone Ecosystem, you might be interested in these web sites.

Greater Yellowstone Coalition

Yellowstone to Yukon Initiative


Iceland 2012

1 x obliterated 5d; 1 x smashed polariser; 2 x heavily bruised knees after a spectacular tumble and several severely furrowed brows and glazed eyes. I should also mention bruised buttocks from bumping around in the back of our minibus (that’s a different story though). This was the collective toll on our group following a recent trip to Iceland which coincided with 24hr daylight and a subsequent requirement to ignore the time and live by the light.

I love Iceland because I love drama. Skies full of threat, beaches full of nothing and birds everywhere – not a massive range but in massive numbers. Working at this time of year however, is demanding and there’s no doubt it’s tough on the body clock. But hey, you only live once.

Iceland has become THE destination for photo-tour groups in recent years. It wasn’t so much a secret before, it just didn’t seem to catch people’s attention. The eruption of Eyjafjallajokull a few years back changed all that and brought Iceland global attention. And rightly so – it’s a photographer’s nirvana.

I’m not going to give you a blow-by-blow account of where we went and what we shot but the images here should give you an idea of the variety on offer. Once again, we enjoyed the company of a great group of guests so my thanks (in no particular order) to Pauline & Chris, Cynthia and Wojciech, Ann and Helen, Melanie, Adrian, Richard and Cheryl for their good humour and for being in the Little Green Bus Gang. My thanks also to my co-pilot on this tour Mark Hamblin who in his maturing years, seems to have developed a talent for impersonating fast-moving locomotives in his sleep. Over the years I’ve shared endless rooms with the Snorer From Hell but this trip reached new heights.

We’ll be doing it all over again next year so if you want to join us, drop us a line.


Juggling the kitchenware.

Plate-spinning is a clever thing. When done well it looks easy. But it’s not just a question of calculating speed and angles, it’s the ability to focus intently on several events running simultaneously. I plate spin every day and every day there is more ceramic set in motion and consequently more potential for a major calamity.

It’s been a hugely busy period with the (almost) completion of the Caledonia book, researching and designing new photo-tours, commissioning a major web site update and coordinating the not insignificant 2020VISION project. Oh, and trying to make the most of the fantastic weather with my camera!

So what’s my point? Well the other day I was checking some of our photo-tour brochures and I came across our Career Counselling service ( I say ‘our’; it was designed and is delivered by Niall Benvie) and was wondering what sort of advice we should offer to the aspiring photographer. Well certainly dedication; without doubt resolve, and perhaps the ability to accept rejection…repeatedly. But perhaps more than anything – and this doesn’t just apply to nature photography – we need to learn to plate spin; to keep lots of different facets of our lives on the boil. You need to be good at different things – and all at the same time. I admire great plate spinners and have to admit to a bit of the green-eyed monster as I don’t do it nearly as well as many. I have long concluded however, that successful (and I’m never quite sure how that is defined) nature photography has got less and less to do with your ability behind the camera. So don’t be tempted to put all your eggs in that particular basket…or on that plate. Have to be off now – a bit of a mess to sweep up off the kitchen floor.