If you like your West wild…

The west coast of Scotland can be unpredictable at the best of times – that’s why we like it so much. But then there’s unpredictable and there’s downright outrageous; the weather this last week during our Wild West photo tour was camped firmly in the latter. Snow, hail, wind, rain and glorious sunshine – we had it all, and most of it in just one day! But if you want dynamic light – and to be fair that’s what this tour offers – the Western Isles of Scotland is THE place to be.

There’s something primeval about standing on a rocky ledge with the angry pounding surf of the Atlantic just feet away; equally there’s no more a soothing sensation than a tranquil turquoise ocean caressing the white sands at your feet. Call it what you will – spiritual renewal if you like – it’s the contrast, the juxtaposition, the ludicrous beauty before you, that is both intoxicating and addictive. You can never have enough of this photographic nectar.

From our cosy bolt hole in North Harris our hardy group ventured out each dawn. Harris and Lewis, our chosen islands for this tour, are not best placed to offer views to the east – they better lend themselves to sunset interpretations, but as I say, this is a place of unpredictability. We photographed Luskentyre every which way and in all weathers and if nothing else, it made our hearty breakfasts slide down that bit easier!

Callanish was disappointing and although the famous stones were obligingly coated in icing sugar snow, they were also coated in tourists making photography almost impossible during the few brief minutes of footprint-free snow cover.

We ventured to the remote rocky shoreline of West Lewis to be greeted by hail that felt like nails being driven in to your face and then, only minutes later, the most glorious sun glistening on the wet rocks. And so it was for the whole tour.

I’m guilty of repetition at the best of times but we really are blessed with the good nature – not to mention good humour – of our tour groups and the Wild West Class of 2012 was no different. My sincere thanks to Thelma, Sasha, Roger, Gill, Duncan and Debbie and of course Paul (veteran of many Northshots tours) for their really excellent company and valued custom.

There was a Bohemian monk who went to bed in a bunk…no, on second thoughts best just hold that in the memory banks!!

If you’d like to join us on the Wild Wild West Coast in 2013, details will be published on our tour page shortly.

…and a few images of our hardy group…


Awesome!

Helena Spinks was one of four intrepid photographers who recently attended our ‘Arctic Icons’ tour in Norway. Here Helena relates the roller coaster of emotions that is wildlife photography in extreme conditions.

When I first considered the Northshots Musk Oxen tour to Norway I was concerned it would be too tough. However, I was desperate to photograph these iconic animals so I convinced myself I had plenty of time to improve my fitness and prepare myself for my biggest challenge yet.  But, as the weeks and months went by and the intended visits to the gym didn’t happen, it dawned on me as our departure grew closer that I should have been a LOT fitter.  I was apprehensive to say the least!  To make matters worse, whilst traveling on the Arctic Odyssey tour a week previously, Niall Benvie mentioned he’d been on a similar trip.  Excellent, the chance for some inside information and hopefully my mind put to rest. “How was it?” I asked.  “Great” he replied “but it nearly killed me”.  At first I thought he was joking but I soon realised he was not – my stomach churned.   This time perhaps I really had bitten off more than I could chew.  However, he went on to explain it was due to the lack of correct clothing rather than fitness.   So, I kitted myself out with some extra warm gear and worked on my mantra “I can do this”.

We all arrived safely in Trondheim, but unfortunately my baggage (with all my nice warm gear) did not.  And, as it became clear that it was not going to be with me until late the next day my apprehension grew – this was not a good start!  However, as we arrived at our destination in the Dovrefjell National Park my concerns were quickly forgotten.   The location was stunning, our accommodation quite unique and luckily for me the Hotel Manager’s daughter was my size!  Bring it on I thought.

This tour is not recommended for the faint hearted.  We had to master walking with snow shoes on snow up to 4 ft deep, endure the extreme cold winds for many hours, climb up long steep hills carrying heavy gear (500mm lens recommended) and be ready and willing to scramble back down again fast if the musk oxen decided they didn’t like the look of us.

I was not used to this extreme environment and therefore pushed to my limit – both physically and mentally.  But, I had absolute faith in our guide Roy Mangersnes who knew this area and the animals well.  With his excellent encouragement, support and leadership the experience was truly amazing and the rewards immense.  To be in such a pristinely beautiful location so close to these awesome animals was special beyond words.


It just goes to show…

I know what it’s like. If you hear the word ‘Alaska’, your mind races to wolves, grizzlies, moose and ice-capped mountains. Any trip there has to include all of these and more. The Cairngorms is the same. It’s the home of ospreys, pine martens, crested tits and capercaillie. These are the wildlife superstars and these are the species people want to see. But what about chaffinches?

Image: Peter Turnbull

We’ve just come to the end of our Winter Wildlife programme and uneventful as the weather was (in the main), we’ve enjoyed the company of four great groups who adapted to the unseasonal conditions and between them, produced some fantastic images of…wait for it…chaffinches! Yes, yes,  you can mock but just look at these images. Disappointing as it might have been, there’s been very little snow and our guests were left with two choices: wallow in self pity or make the most of things. Universally they chose the latter and good for them.

Image: Charlie Goddard

Selling a photo tour in the Cairngorms on the back of chaffinches is going to be a tough call for anyone but it shouldn’t be. I’d rather have one of these cracking images in my library than a mediocre shot of an osprey or pine marten. Well done to all of our photographer guests for nailing some great shots and for realising that subject rarity is irrelevant when it comes down to it.

Next year we’re planning some changes to our Winter Wildlife programme and we’ll be uploading dates soon. Thanks to everyone who joined us in 2012 – I hope you enjoyed your time spent in the Cairngorms and I hope you enjoyed your time with the wildlife icon that is The Chaffinch.

Image: Cheryl Surry


The big caper debate.

For photographers and birders alike there are few species higher on the ‘must-do’ list than capercaillie, the world’s largest grouse and denizen of Scotland’s fragmented pine forests. Sure they are big charismatic birds, but they are also rare and under normal circumstances are unlikely to be seen without a not inconsiderable amount of effort and local knowledge. All of this conspires to make the caper a sought-after subject.

It’s no secret anymore that there is a so-called ‘rogue’ capercaillie in a pine forest near Kingussie – he’s even been on Autumnwatch.  Anyone who had a mind to keep his presence a secret (me included) might have got away with it even five years ago, but the speed of information exchange today, ensures that this bird will attract increasing attention for the rest of his life. The big question is whether that attention is detrimental to this particular individual or whether being up close to such an icon of the pinewood, nurtures a greater empathy with the plight of the species as a whole. I don’t know the answer to that question. What I do know is that however regrettable it might be to those who want this bird to themselves, it ain’t going to happen. So should we be thinking about this differently?

There is no doubt that a group of people – photographers, birders or otherwise – surrounding this bird, conjures up the perception of harassment; it looks ugly. But is it detrimental to the caper? I’m no scientist but I’m not sure it is and moreover, does it really matter?

Conservation is a luxury of an affluent society and despite the doom-mongering, we still live in a very affluent society. Shouldn’t we then be exploiting that affluence? How about charging to see the caper? Or at least asking for a donation to a forest conservation charity? Now of course this is a legal, political and cultural minefield but my point is that rather than pretend we can keep such a wildlife spectacle under the hat, perhaps we should be shouting it from the rooftops, inviting in the TV crews and exploiting the opportunity for community engagement, even profit?  We’ve all seen RSPB do it successfully with urban peregrines, why not rogue capercaillie?

Ok my cheek is bulging a little from my tongue but it’s the conservatism within conservation that sticks in my craw. The conservation movement cannot on the one hand whip us all into a frenzy about the visual spectacle that is the natural world, and then on the other, deprive us of access to the very best bits – or at least frown upon those who are seen to buck the system. Nobody owns the birds, least of all any single conservation body.

Before my mailbox fills with a deluge of accusations, I’m not advocating recklessness or law-breaking here, I’m not even talking specifically about capercaillie, I’m just suggesting a shift in our mindset to be less precious, less sensitive, less worthy and dare I say, less arrogant about showing people the really sexy stuff that Scotland (or anywhere else) has to offer. If we want their money to put nature back in order, it’s the very least they can expect in return.


Winter Wildlife 1

It’s a fraught time of year if I’m honest and although we’ve been running our Winter Wildlife photo tours for over a decade, I still fret. Will the squirrels perform? Will the crested tits turn up? Will the damned weather hold? Will Rob Jordan ever refuse a full cooked breakfast?

Our intrepid falconer Alan Rothery with the latest in fashionable headwear.

I hope its not obvious to guests but there’s a whole shed load of behind-the-scenes preparation for these tours and it’s a constant round of topping up feeding stations, sourcing new perches, drilling fat holes for woodpeckers…the list goes on. The worrying is compensated by sharing this great part of the world with great people. The weather’s been less than ideal this week but everyone is still smiling and enjoying the opportunity to indulge in their photography.

Most of our hardy group spent yesterday trudging through icy winds and thick cloud in search of the elusive mountain grouse, the ptarmigan. Picking a day to head into the hills is always tricky and sometimes there’s a compromise to ensure we get up there at all. There were birds around but as I’ve found before in high winds, they tend to be twitchy and we struggled to get anything meaningful. Moving a tripod with a telephoto lens around on slippy rocks is another obstacle that takes some practice to overcome. Not every day spent in this unique environment is a great experience but I always maintain that each day provides great experience. The mountains teach you alot about yourself.

The mountain pioneers!

Thanks this week to Karen, Sally, Steve, Nick, Bert, Derek, Kerry, James, Claire and Nigel for once again making all the fretting worthwhile.


From Headlands to Headspace.

Almost 2 years ago to the day I pressed the shutter with my camera pointing at a pure white ptarmigan high in the Cairngorms and in doing so bagged my first shot for the 2020VISION project. Last week I took my final images for the collection and what a difference in habitats. The Cairngorm Mountains are high, rugged and remote. Morecambe Bay is low, flat and surrounded by industry. As such, it’s not the easiest place to work, but with the expectations of the project itself, my colleagues within it and the height of the nature photograph bar generally set very high anyway, it’s been a long time since I’ve found anywhere, or anything, that is easy to put your own stamp on.

The forecast was mixed and with a short window of opportunity, I have to say I felt a wee bit pressured. The likes of Chris Gomersall, David Tipling, Danny Green and Mark Hamblin had already fed fantastic images into the story I was following – that of the UK’s estuaries and saltmarshes being ‘More than just mud’. So my task was simple : evocative scenics in dramatic light. Sounds straightforward on paper – trouble is I don’t know the area very well so I had to hit the ground running.

One of the great things about the internet is the ability to research locations and to see what other photographers have done where. Morecambe Bay is seemingly not a landscape photography magnet and I found little online that suggested obvious starting points. I sat in my campervan with a cup of tea and pondered. What were the key elements I needed to articulate here? The only word I could come up with was ‘Bigness’. Morecambe Bay is Big. Big skies, Big views…just Big. But also flat, so I needed some viewpoints and assuming dramatic skies – a pre-requisite for this type of work – I needed to get close to water to show that light to its best effect.

With these types of jobs I tend to find that working and then re-working the same few locations is more productive than charging around trying to cover everything. And so it was that over 4 days I began to gravitate towards the area around Arnside and Silverdale (fantastic cafe at RSPB Leighton Moss by the way) with dawn shoots further west at Grange.

Through a set of contacts I managed to coerce a couple of cockle fishermen to ‘model’ for me. The cockle beds in the Bay are closed presently so I’d like to point out that no cockles were harvested during the making of these pictures. The shoot however, did in many ways reflect the backdrop to why 2020VISION had chosen this location. There’s a big project underway in the area appropriately called Headlands to Headspace. This is an ambitious undertaking with the objective of rejuvenating the productivity of the Bay. I don’t just mean economic productivity, I mean ecological, cultural and even social productivity: allowing the world-class wildlife of the Bay to prosper and to allow people to benefit from improved ecological integrity – this very much includes those who make their living from harvesting natural resources.

Morecambe Bay is ostensibly a land of contradictions where natural beauty struggles to shake off the shadow of heavy industry. But it’s by no means unique in that respect. The secret perhaps – and it’s a tricky one – is not a war between one or the other, but an imaginative and sympathetic accommodation of both. Headlands to Headspace is just about right. Standing out on the mudflats at dawn with a peregrine calling nearby and with Bigness in my viewfinder, Headspace was what was offered and we all need to take up that offer when it’s made available. It’s fair to say that over 2 years working on 2020VISION I’ve had plenty of Headaches but when that memory fades, it will be the magical Headspace moments that stay with me.


Favourite 5 images of 2011: No.3

I get an enormous amount of satisfaction from images taken close to home. This image like the others in this series, will never win any prizes but it has an extra dimension for me as it results from knowing my own patch. During most winters, snow-melt from the high tops results in the River Spey bursting its banks but unlike many rivers, the Spey is accommodated by its natural flood plain, which avoids damage to roads and houses. Knowing that a significant rise in temperature would result in flooding, I kept an eye on the marshy surrounds of the Spey and on a flat-calm day, nailed a series of ‘PLNs’ (Pleasant Little Numbers).


When the Skye is grey.

If you want dependable weather, you should think twice about booking one of our Autumn Gold landscape tours. But do you know what? The more I work in so-called ‘bad’ weather, the more I’m starting to enjoy it (see previous blog post). It’s not that I particularly like grey skies or pouring rain (and don’t get me wrong, it’s not like that all the time!), but I do relish the challenge of making something from nothing, It doesn’t always work, but if you persist…and more to the point, if you’re prepared to persist.

Our Ultimate Autumn Gold landscape tour has become an annual event and despite going through a number of changes over the years, the tour fundamentally remains about making the most of this melancholic time of year. I’ve got to say, I love it!

The Cairngorms is a mosaic of forest, moorland, river, loch and mountain. It’s a rich landscape with something for all photographic tastes. Skye is much more solemn and could be described as bleak, although I’d prefer brooding. The cocktail of 4 nights in each location does it for me thank you very much.

Much to the relief of several of our (not so) hardy group (mentioning no names) we only managed 2 early starts with little promise of a decent sunrise on most days. It always surprises me however that although deprived of the ‘classic’ conditions we all yearn for, there are shots to be had if you shun your creative straightjacket. Loch an Eilein at dawn would have been nice, ditto a misty Glenfeshie but it was not to be and we bravely persisted with what was on offer from the weather gods. Loch Insh was briefly majestic and our favourite beech forest glowed in autumnal splendour.

Moving to Skye via Glen Affric (where the sun shone) the forecast was for heavy rain. How come the forecast for rain is always right? Why can’t they forecast misty dawns with the same accuracy? An attempt at the Old Man of Storr was akin to a bad day on Everest with horizontal rain and gusts of wind that bordered on dangerous. Many of our intrepid group climbed the whole way, got their cameras out, immediately put them away and descended with dignity (and cameras) intact. Slighachan worked well though as did Trotternish eventually and although there is a thin line between edgy conditions and outright crap, we trod the right side of that line for the most part.

I’ve never been one for chocolate-box landscapes, preferring instead the moody and broody that Scotland delivers on, especially in spring and autumn. I hope our fantastic guests for this tour agree with me on that at least (we discussed religion, politics, marriage, divorce and birth control during the wetter moments when opinions were not always uniform!) October has been a golden month this year – in experiences if not always colour. Bring on 2012.

If you’d like to join us on the same tour next year (and Mark promises not to bore you too much with his Photoshop tutorial – see below – view details here)


Wild Wild West!

Sometimes, just sometimes, words (and pictures for that matter) are just not enough. “Can we just stand and look?” came the request from two ladies on our recent Wild Wild West tour to Lewis and Harris. We were perched high above a remote beach with an angry sea boiling beneath us. Occasionally the sun pierced the bank of scudding clouds, lighting the bay and painting the crest of each rolling wave yellow. It was, as they say just across the Atlantic, awesome. But standing and looking is just not on when there are pictures to be taken. Oh no, we were having none of that fluffy nonsense on a Northshots tour.

There is definitely something about islands and yes, the weather can be rough out here on the edge, but for a photographer, it’s a tiny price to pay for a slice of solitude and some truly spectacular vistas. Wildness for me is like a drug; I just have to get a regular fix and it doesn’t get any better than staring out across a sea that stretches almost beyond our limited imagination. Sharing the experience with a truly great bunch of guests…well, it’s just the business.

From our cosy and welcoming base at the Harris Hotel in Tarbert (thanks for the recommendation Paul), we explored all four corners of both Lewis and Harris taking in remote windswept beaches, rocky headlands pounded by the Atlantic, and of course the famous Callanish Stones. For one of our days, the rain was more persistent than usual but we found sanctuary in a charming deserted croft house followed by coffee and cake at Skoon Art Cafe, a perfect respite from the inevitable Hebridean squalls.

We all got pictures of course and I hope you like the images above, but do you know what, our two guests, Julie and Sue were right. It’s the images that have etched themselves on our minds that will persist long after the photographs have lost their appeal. Standing and looking is no bad thing.

Thanks to the Wild West bunch of 2011. If you’d like to join us next spring when we return to the Wild Wild West (and I have to say, I think you should), you can book here


The wolves will come…

…whether we like it or not.

These are the words of Frans Vera, a highly respected Dutch ecologist, and of course he is right. For anyone with any knowledge of wolf ecology, it should come as no surprise that these entrepreneurial predators have recently found their way into both Belgium and The Netherlands – two highly urbanised countries which on the face of it, seem completely unsuitable for wolves.

So what do these wolf wanderings mean for under-the-table discussions on their return to Britain? Well perhaps not much in the short term – wolves will never reach these shores unaided. But politically, each time a wolf is sighted in a new European country, the legislative pressure is cranked up a notch. Why should France, Italy and Spain – and now Holland and Belgium – put up with wolves and not us? Is it fair that we subscribe to EU legislation on the restoration of native species but we’re conspicuous by not conforming to it? No sensible EU politician with an eye on re-election would ever suggest wolves are eliminated from mainland Europe, so what makes the UK different?

There are myriad answers to that question but our island status is perhaps the most significant. Wolves from eastern Europe have been expanding their range for a couple of decades now, so it’s inevitable that they will find new niches. From Poland to Germany, from Germany to Belgium – administrative boundaries are of no concern to a pioneering wolf looking for somewhere to raise a new generation. But don’t panic, the UK is ‘protected’ thanks to 22 miles of open sea. For wolves to come here – and lets assume the political will for a moment – they’d need to be caught, crated, transported and released. Aside from the cost and the socio-political furore, there is another factor which will ultimately determine whether wild wolves are ever seen back in Britain: the media. Wolves that slip across an unseen border can avoid drawing attention to themselves, but that’s simply not possible here.

For wolf advocates the media could be their greatest ally; it’s a powerful platform for education, but considering their historic treatment of large predator stories, don’t count your chickens – or should that be sheep? If I was a hungry young journalist I can think of only one story that would spit on foxes sneaking into suburban houses, sea eagles having the potential to snatch babies, or even polar bears killing undeserving expedition students: Wolves coming back to Britain. It’s a journalistic wet dream and could pitch neighbour against neighbour for months.

My guess is that 20 years from now, wolves will be an accepted part of the landscape across most of Western Europe, but unless there’s a fundamental shift in the definition of responsible media, the English Channel will be one step too far for Canis lupus.