Andy Rouse at the O2?

A couple of decades ago, the spiritual home of stand-up comedy was arguably the working mens clubs of the industrial north. Sure a few of the top artists made it to TV spots but the thought of Michael McIntyre, John Bishop or Lee Evans filling an arena, historically the preserve of headline music acts, was at best, far-fetched. Stand-up comedy has broken new ground, broken new records and broken new audiences. The same needs to be done for nature.

Spring/Autumnwatch goes some way towards bridging the gap between science and a mainstream audience, but does it reach beyond Middle-class, Middle age, Middle England? Possibly yes, but it’s a two-dimensional platform.

The other night I finally got around to going to an Andy Rouse talk in Warrington. By a quirk of fate I was passing through (no disrespect to Warrington but this is not an everyday occurrence). The hall was packed and encouragingly, a generous splattering of young couples were present – the sort that might go and see Michael McIntyre at the O2. Now I’ve know Andy a fair few years but I’d never seen him speak in this context, so I was intrigued, not so much by the show he put on, but by the reaction of the audience to his rather ‘non-conformist’ style. I’ve got to say I winced a tad at some aspects of his approach, but the crowd were taken along, not on an evening of natural history, but on an evening of entertainment. Yes entertainment. Even nature-lovers like to be entertained!

I dare say the real purists would have recoiled at the occasional sexual innuendo and the anthropomorphic interpretation of some of his images, but the purists are not the ones who need convincing. Andy entertained first and educated as a consequence; it’s much more difficult to pull that off the other way around and my hat goes off to him for that.

Whether you agree with the Rouse approach or not, there is no question over his passion, drive and photographic ability. Factor in that rare resource amongst nature photographers, humour, and it’s an entertaining combination. I’m not sure he’s ready for the O2 just yet but I’m sure someone once said that to Michael McIntyre. I for one, would like to see more Andy Rouse’s sticking their head above that very serious and often painfully tedious parapet, that is traditional nature photography. Andy has fun and so does his audience. Job done.


Wildlife Photographer of the Year.

After a hectic few weeks, I finally got chance the other night to look through the portfolio book of this year’s WPoY competition. This has always been the Oscars of the wildlife photography community and with such intense competition, anyone who gets an image within a sniff of the finals is to be congratulated. Quite simply, it’s the best competition of its kind in the world.

That said, I found myself a tad disappointed on filtering through the images. It wasn’t that they weren’t beautifully conceived, crafted and executed; it was a general lack of impact. And let’s be honest here, it’s impact that makes a good image great. In fairness, I don’t think the standard was any less than in previous years; probably quite the opposite. What’s changed I think, is expectation, mine in particular. We see so much top quality material thesedays, it takes something truly exceptional to really hit you between the eyes, to etch itself on your mind. Worryingly I guess this invites the discussion on the future of the stand-alone still image: has it perhaps had its day? Not surprisingly I hope not, but I fear that as photographers, we need to prepare for life after the still.

For what it’s worth, my favourite three images (by some margin I have to say) were as follows:

1. The overall winner by Daniel Beltra. This is not only a compelling image, it signifies a willingness on the part of the judges to break the mould of the winning image, and I for one, applaud that.

2. Salmon Swipe by Paul Souders. The standard of underwater photography has rocketed in recent years and this is just a great image with behavioural interest and humour in equal measure.

3. Beavering by Louis-Marie Preau. It’s not easy to make a giant water rodent interesting and although I’ve seen this image previously, it’s just full of intrigue and again, a small dose of humour which is always a useful ingredient.

I think it’s the first time I’ve leaned so heavily towards the underwater images and perhaps it’s because we’re being shown new things about an environment that has always been a closed door for most of us.

My humble congratulations to all the runners and riders in this year’s awards. I’d be interested in your views as to where the still image is headed?


The wolves will come…

…whether we like it or not.

These are the words of Frans Vera, a highly respected Dutch ecologist, and of course he is right. For anyone with any knowledge of wolf ecology, it should come as no surprise that these entrepreneurial predators have recently found their way into both Belgium and The Netherlands – two highly urbanised countries which on the face of it, seem completely unsuitable for wolves.

So what do these wolf wanderings mean for under-the-table discussions on their return to Britain? Well perhaps not much in the short term – wolves will never reach these shores unaided. But politically, each time a wolf is sighted in a new European country, the legislative pressure is cranked up a notch. Why should France, Italy and Spain – and now Holland and Belgium – put up with wolves and not us? Is it fair that we subscribe to EU legislation on the restoration of native species but we’re conspicuous by not conforming to it? No sensible EU politician with an eye on re-election would ever suggest wolves are eliminated from mainland Europe, so what makes the UK different?

There are myriad answers to that question but our island status is perhaps the most significant. Wolves from eastern Europe have been expanding their range for a couple of decades now, so it’s inevitable that they will find new niches. From Poland to Germany, from Germany to Belgium – administrative boundaries are of no concern to a pioneering wolf looking for somewhere to raise a new generation. But don’t panic, the UK is ‘protected’ thanks to 22 miles of open sea. For wolves to come here – and lets assume the political will for a moment – they’d need to be caught, crated, transported and released. Aside from the cost and the socio-political furore, there is another factor which will ultimately determine whether wild wolves are ever seen back in Britain: the media. Wolves that slip across an unseen border can avoid drawing attention to themselves, but that’s simply not possible here.

For wolf advocates the media could be their greatest ally; it’s a powerful platform for education, but considering their historic treatment of large predator stories, don’t count your chickens – or should that be sheep? If I was a hungry young journalist I can think of only one story that would spit on foxes sneaking into suburban houses, sea eagles having the potential to snatch babies, or even polar bears killing undeserving expedition students: Wolves coming back to Britain. It’s a journalistic wet dream and could pitch neighbour against neighbour for months.

My guess is that 20 years from now, wolves will be an accepted part of the landscape across most of Western Europe, but unless there’s a fundamental shift in the definition of responsible media, the English Channel will be one step too far for Canis lupus.



One-legged Asian lesbian caught bedding illegitimate son of religious leader!

Aha, got you! Apologies if you’ve landed here expecting a tale of unsurpassed debauchery. Actually no, I’m not going to apologise – you shouldn’t be following such sensationalist headlines on the net! But of course many people do, and a recent e-manual that arrived on my desktop positively encourages me – as just a humble photographic blogger – to ‘sex up’ my posts in the sure knowledge of extra blog traffic. Perhaps this is my chance to get on Big Brother? It could be a metaphorical getting your **** out for the lads! Perhaps not.

So how does nature compete to attract attention in a world where societal values have changed in just a generation? It’s damned difficult, of that there is no doubt.

I was working down at the Scottish Seabird Centre recently for 2020VISION. The story was the relationship between the health of our seas, the health of our seabirds and the health of us humans. It’s a tricky story to tell but I was massively impressed how many people were trying to tell it – even on a dreich summer afternoon. A young couple had set up a quite elaborate display stand and were working hard at making gannets (and puffins, seals etc) fun and exciting to passing children. The audience was small with varying attention spans, but bit by bit they were drawn in and ‘engaged’.

At the end of the day these young educators were completely spent, they’d given their all. It’s hard work loving nature and wishing everyone else would too. But it’s a job worth doing and my hat goes off to all who try.

With a little imagination, the headline to this post could be: 40,000 bonking birds cram into high-rise, high-tension tenement block. Do you reckon that would get my search engine rankings up?


Conservation Communication.

Next month I’ll be returning to the Scottish Nature Photography Fair in Perth (do come along!) to talk about Conservation and Communication. Whilst preparing a bit of the show yesterday, I found myself wondering whether the modern-day (self-appointed) ‘Conservation Photographer’ is little more than a pretentious prat with an unfounded sense of self-importance.  As I consider myself a conservation photographer, the thought process was particularly relevant.

There is certainly an element of bandwagonism as photographers frantically seek out the lifeboat on the good ship HMS Your Photographic Career,  which seems to spring more holes on a daily basis. And who can blame anyone for simply wanting to survive?  If consumer demand dictates that nature photographers are conservation-minded, organic, fairtade, homegrown, it’s not surprising that in some cases, a quick-fix ethical veneer is applied –  if it’s OK for Tesco or McDonalds…

Cynicism (or is it reality?) aside, there are photographers who have consistently displayed a commitment to initiating real change. The list is long but in modern times, names that spring to mind include Thomas Peschak, Daniel Beltra, Karl Ammann, Mark Edwards – these are guys who don’t worry too much about labels or branding, they just get on with it. And ‘it’ is putting their imagery to work; getting in front of big audiences and influencing societal change. They are effective visual communicators, and that for me, is where it’s at.

As I prepare to make my bi-monthly submission to one of my picture libraries (see images herein), I realise I’m still trading in a wide range of subject matter that doesn’t support my aspiration to be a conservation photographer when I grow up. Note to self: must try harder.

The blog will go quiet for a couple of weeks as I head off to the Arctic (somebody has to do it). Ironically this is a place where Conservation Communication is as pressing as anywhere.


Orange overdose.

According to those who know, we are instinctively drawn to warm colours. Red apparently, symbolises life and vitality, and those colours closely allied to red – orange for example – nurture equally positive feelings. I’m not in tune with the psychological and spiritual associations of warm colours, but it would seem that unwittingly, I too seek out warm-coloured images – specifically silhouettes.

At a recent talk I was asked why I photographed so many silhouettes and in truth, I wasn’t aware I did. Thinking about the question on the way home, I was initially embarrassed: Had I been overloading audiences with orange and black graphics for years? Do you know what? I think I have.

Looking back, my fondness for silhouettes may be rooted in a desire to break the f8-front lit-big-in-the-frame wildlife portrait. In fact I can remember a friend of mine showing a silhouette of a crested tit on a workshop only to be asked why the flash hadn’t gone off! I think more recently however, it’s nothing more complicated than an affection for clean graphic shapes that whilst recognisable, hold something back from the viewer, inviting them to identify what, where, when, how.

Whilst silhouettes are hardly radical thesedays, it would seem that they are not for the photographic purist and that’s fine. I’m afraid I can’t help myself – get a subject on a ridge against a moody sky and it’s wind up the shutter speed for maximum under-exposure. The pleasure derived more than warrants six of the best from the Photo-Police. It would seem I’m a silhouette junkie.


Polar bear press.

OK OK, I couldn’t let it pass without throwing my tenpenneth into the ring. Actually I’m not going to talk about the recent polar bear attack itself (some interesting dialogue to be found on colleague Andy Rouse’s Facebook page here) but rather the inevitable press coverage.

The death of any young person yet to experience the myriad opportunities that life offers is always sad and an impossible ordeal for family and friends. But it’s the press coverage of how this young man died that I find both bizarre and distasteful. Had the lad been knocked over by a car or stung by a wasp or had a fatal asthma attack, or any one of hundreds of less ‘dramatic’ ends, he would simply have become an anonymous statistic to the outside world; the press wouldn’t care and neither would we – because we simply wouldn’t know about it.

This story has everything that the vulturine press live for. It’s a heady cocktail of human endeavour, heroism and ultimately an untimely death. But the cherry on the cake is fear – not any old fear but the most powerful, deep-seated, primeval fear of all. The ingredients are the stuff of journalistic dreams.

But let’s put aside the predictability of sensationalising a predator attack, the salivating over the most lurid details. The objective is to sell papers/airtime. And the best way to do that is to goad an audience into the irrationality, the ill-informed anecdotal outpourings, which pitch people against each other – providing the fuel for a fire that once lit, will burn of its own accord for days. Job done.

I’ve not yet read a report which gives the reader any ecological background to the polar bear. I’ve not yet read a suggestion as to why this bear might have attacked the campers, or contextualised the danger posed by polar bears at large. Nothing about the shrinking ice cap which ironically, I’m guessing the expedition had as part of its study. Here was an opportunity to use this tragic event to educate an audience and perhaps alert it to the challenges faced by the polar bear, its arctic habitat and ultimately, how this will affect us all. But then we wouldn’t want responsible, objective and informative stories to get in the way of good old-fashioned scaremongering and a verbal punch up.


The very fickle finger of blame.

I’ve got to admit it. I have to write this down. I’ve got to get it off my chest. My tongue is bleeding I’ve been biting on it for so long. OK, here goes.

Here in the west of the Cairngorms, our local newspaper attracts regular correspondence on a whole range of wildlife issues from a variety of perspectives and agendas. No surprise there, but just recently something caught my eye and if I’m honest, raised my hackles. A doctor (not sure of what to be fair) had noticed a decline in local garden birds. Now given that science is likely to form the basis of much of the good doctor’s thinking, I’d have thought a bit of research might have been in order – you know, to see if ‘the problem’ was seasonal or localised perhaps? No research or detective work necessary apparently – his less-than-scientific conclusion (and I quote): ” I have no doubt that rooks are responsible.”

Before going further I need to tell you that I’m not a bobbledy-hat rook lover, but to jump to such an ill-informed conclusion with no scientific evidence to back up his assertion is to my mind, irresponsible at the very least. People listen to ‘doctors’ after all.

The following week it got worse. Another doctor (same village) was keen to add her tenpenneth to the verbal assassination of corvids. In her opinion it wasn’t rooks that had decimated garden birds, it was jackdaws. And her proof? “They are noisy, greedy things.”

So what to do? Well the original doctor had a well conceived scientific strategy: “I feel an organised cull is the only solution to restore finches, tits and sparrows.” So doctor(s), this cull – how many birds need to be killed to solve ‘the problem’? 10? 100? 1000? And is it rooks or is it jackdaws? Or doesn’t it really matter – they are after all just noisy, greedy, troublesome black birds – not the sort of things that a quiet Highland village should have to put up with.

I welcome most things that benefit biodiversity (and that may or may not involve controlling corvids) but surely such ill-informed, anecdotal outpourings are outdated, unhelpful and unwelcome. Assuming one or both of the correspondents are doctors of medicine, GPs even, I’d suggest you don’t go to see them – especially if you’re an overweight, talkative Afro-Carribean.


The face of change.

A meeting with colleagues this last week proved to be a tad dispiriting with talk of rapid and widespread change within the business of nature photography. Stock sales are in massive decline, tours are more difficult to sell and print sales are almost non-existent – all traditional revenue streams. There is undoubtedly increased demand for nature imagery but this is countered by the massive upsurge in supply over recent years. Everyone it seems, wants to be a nature photographer (who can blame them) and the market is knocking at the door of saturation. The spectre of image fatigue also hangs in the air – it’s simply more challenging than ever to elicit a reaction from an audience perpetually bombarded with top-class material. Factor in economic uncertainty and I’d like to meet the photographer who disagrees that times are tough.

So what of the future? What of the keen young fellow I met recently who was desperate to give up his (well paid) day job to follow his dream of becoming a photographer? Two years ago I’d have had a good stab at answering these questions – I’m less sure now.

It’s not all doom and gloom though. Think Harry Potter. No, I tell you what, think Billy Elliott or Bridget Jones. All great films. All absorbing entertainment. The former perhaps relies on outrageous budgets but the latter two are just simple tales: stories. We love stories – as a species I mean. We’re hard-wired for stories. It doesn’t matter if they’re in book form or in 3D wraparound film format. A good story is always in demand – always will be (think Jackanory if you’re old enough).

And let’s face it, nature offers story-telling photographers untold material – we just have to package that material and importantly, make sure our stories are told. And therein lies the future I think. There are plenty of photographers who have something to say and then there are the few who know how to say it. In a volatile marketplace that’s perhaps the crux of it, and I for one, retain my optimism for a future that might look very different but will still welcome the modern-day yarn-spinner.


An engine without oil?

I’ve recently read two very interesting pieces – the first specifically about wolves; the second, a book about the impact of predators on global ecosystems.

A friend of mine sent me a very well pitched report he’d written following a visit to Norway to follow a hugely controversial wolf hunt. In it he describes both extreme hatred and fear for this most symbolic of animals, amidst a rural community that whilst in the minority in terms of national feelings towards wolves, are nevertheless vocal and committed. My friend is himself an experienced game manager so knows about Scottish wildlife politics, but even he says: “I have never experienced such an atmosphere. For many there, an evil had been cleansed from the valley.” This following the shooting of a large male wolf.

Another friend sent me a book (which I would heartily recommend) called Where the wild things were by William Stolzenburg. In it Stolzenburg documents scientific research not into the impact of large carnivores as such, but the ecological chaos found in their absence. Stolzenburg, an American wildlife journalist, offers a convincing science-based argument that alpha predators are the primary regulators of the world’s ecosystems and that their removal, far from being a good thing for unburdened prey, provides the building blocks for long-term ecological decline. Space doesn’t allow for examples – buy the book and listen to the penny dropping. It’s compelling stuff.

I’m often asked about my feelings towards wolves and whether I think they should be returned to Scotland. It’s far from a black and white issue, but it really comes down to whether you answer the question as a rural economist, or as an ecologist. The wolf hunt in Norway underlines a seemingly unbridgeable gulf between prioritising traditional rural practice, and a new and increasingly popular paradigm based on ecosystem health. Like my friend who followed the Norwegian hunt, it’s tough when you can see both sides, and I can. The only caveat to me having the fence well and truly wedged in my nether regions with one foot either side of it, is that if I look 100 years hence, I sometimes wonder whether we will ultimately pay the price of an ecological engine running without oil.