Lofoten in winter…and some!

The look on his face said it all. Fixing the icy strap to the front of his icy bucket, his eyes rolled as he climbed back in the icy cab of the monstrous snowplough before pulling my little tin box of a van from the snowdrift in just a matter of seconds. I wanted to explain about the fantastic light and the need to seize the moment; I wanted to tell him that the bus stop was the only place to pull off the road but I decided just to shake his hand and offer a sheepish “tack”. Bloody tourists.

The Lofoten Islands are part of Norway’s rugged northwest coastline, hanging out into the sea catching all manner of weather full in the face. If you don’t like weather – all sorts of it – don’t come here. It’s a roller coaster: snow that stings your face one minute, sun that blinds you the next. But then that’s the deal and if you accept the terms, this can be one of the most exciting landscape photography locations anywhere. Saw-toothed snow-cloaked mountains rise vertically from the sea; secluded coastal inlets cosset sandy beaches lapped by aquamarine waters and most of all, arctic light. At times, arctic light like I’ve never seen before.

Any landscape photographer worth their salt (that’s me out then) will tell you it’s all about light and that’s because it is. I told our tour group this as we travelled the blizzardous road from the airport to our base in Reine but at the time, even I didn’t expect four days of such intense photographic drama and sublime light.

This tour booked up quickly, no doubt due to the potential for some spectacular aurora photography. We weren’t that lucky in the lights department if truth be told, but the drama that unfolded each day more than compensated. I don’t think I can remember as productive a short period in a very long time.

I hope you like the images and they offer a glimpse into one of the rising stars on the landscape photography circuit. Lofoten smells of fish (obsessed with cod, the Norwegians) and fried cod tongues are definitely not for me but then, I can live on a diet of light, drama and mood – real fuel for the soul. This place is straight up my photographic street. Don’t expect fancy hotels and cosy coffee parlours but do expect drama.

My thanks to our hardy group who were deprived of sleep but still managed to maintain good humour and in a separate incident to the bus stop drama, the energy to help dig the van out of a ditch after a near miss with a 40-tonne Scania. Bagman Alex, Arla, Jackie, John, Kin, Dangerous Mel, Paul and Pauline – all top people and damned fine photographers. We’ll be doing it all again next year if you fancy joining us for a winter bout of wild and wonderful. Book here.


Some old geysers are full of hot air…

This blog post is kindly contributed by John Cumberland, long-standing tour guest and all-round good egg.

All images by John Cumberland.

The Big Bang didn’t happen . . . . not this time. Had the super volcano that lurks below Yellowstone National Park gone off, we would have returned home in record time on the blast wave (it’s due any time now though and the last time it erupted an estimated 240 cubic miles of rock and ash was chucked all over America, the earth cooled for years, life was extinguished – you get the picture.

Cairns holds me partly responsible for the resurrection of the winter photo-tours to Yellowstone. My initials  “JC” may have been a factor. Crashing through the ice in the Arctic on the trusty M/S Origo before he fell in (see my blog ‘Cairns finally goes over the edge’ – September 2011), he casually mentioned that Northshots “used to run trips to Yellowstone”. Before he could say boo to a goose, I’d rallied my fellow Svalbard guests and hey presto, here we are. As you might expect from an adopted Scot, the subject of commission has never been mentioned!

So there we were, high and cold out there in Yellowstone in January. It was a landscape to die for, which could easily happen without the right sort of clothing and some of those Hotty hand-warmers about which Mr. Cairns is so disparaging. Although the super volcano remained restrained while we were there, the noxious gases seeping out of the earth in all directions reminded us that it was alive and well.

The old geysers provided us with rich colours, textures and shapes as well as steamy atmospheric shots, some taken at night. Fumaroles burped and blubbed mud with sound effects reminiscent of ancient feasting. There were images everywhere and pictorially speaking, we indeed feasted.

Speaking of old geysers, whilst we were out there in snowy Wyoming, Pete’s ‘big birthday’ rolled around. It is the age at which the ladies hope, somewhat forlornly, that their menfolk will finally ‘grow up’. We menfolk know better . . . no chance! After the birthday celebrations, energy and enthusiasm levels undiminished, we were out chasing the dawn light and all kinds of wildlife. Bison, moose, elk, mule deer, coyotes and eagles did not escape the attention of our lenses, in fabulous settings and frequently in lovely lighting. Spindrift sparkled in backlit misty woodlands. Pink sunsets turned snow covered landscapes and brittle hoarfrost into a wintery version of landscapers’ heaven. Otters left their footprints and trailed their tails.

The wolves were around but they kept clear of us during this trip. Pete emulated Chris Packham and confidently demonstrated his dexterity in handling a sizeable wolf dropping proving that they were there, somewhere, watching us. Maybe these smart creatures have picked up the vibes that humans have decided, in their ‘wisdom’, that they now need ‘managing’. In other words, the authorities have been lobbied and cajoled into accepting that the success following their reintroduction into Yellowstone, now means their numbers should be reduced.

What would you do if you were a wolf? Certainly not seek out the companionship of the ‘top predator’ – humans – even kindly Northshots folk.

If you get chance to visit this fantastic place – do so.


Yellowstone(ism).

Now don’t get me wrong, most Americans I’ve met are generally very nice people. The trouble with America is that it’s full of Americanisms. That’s ‘isms’. Yes I know the bit about ‘when in Rome’ but some things just drive me nuts. Billboards! How much information can you actually absorb at 50mph? Cars that consider you incapable of making even the most basic decisions (like closing the boot without intervention from a too-clever-for-its-own-good automated system); carbohydrate-laden meals that could feed a country for a week; a gratuity system that defies all logic and that’s before we get stuck into the right to bear arms, and as was demonstrated recently, the propensity to discharge them. I could go on (and on) but my soapbox is giving way (primarily as a result of afore-mentioned carbohydrate overload). Suffice it to say that despite a common language, America and some of its ‘isms’ are hard for me to fathom (to be fair it could be as much to do with middle age as anything – mine not America’s).

Bison in snow, Yellowstone National Park, USA

Moose in snow, Yellowstone National Park, USA

Bison silhouette, Yellowstone National Park, USA

Despite all of the ‘isms’ there is no doubt that America is a land of superlatives. It’s unique, as are its inhabitants – human and non-human alike. Moreover, despite the usual cultural and political divides that preside over any public asset, the US National Park system is one of America’s better ideas and none more so than Yellowstone. The thing with Yellowstone is its story. It’s one of historical foresight, pioneering thinking, a few ill-informed predator management decisions along the way and more recently, ecological restoration; that’s not to mention the geological processes that continue to drive and change the Yellowstone narrative. This place has it all. Outside of winter it also has lots of visitors and so it was we set off in January.

Yellowstone National Park in Winter, USA

Yellowstone National Park in Winter, USA‘We’ in this case was two groups of hardy (and not so hardy – you know who you are!) tour guests.  As ever the Northshots formula of serious photography and not-so serious downtime prevailed and seemingly, a good time was had by all (no doubt our feedback forms will reveal if I’ve read this incorrectly).

The northern part of Yellowstone is driveable in winter and is usually a safe bet for wolf sightings. Alas, this year it was not to be and both groups returned home wolfless. Photographic opportunities of this top predator are rare indeed but just a glimpse is enough to set the pulse racing.  Wolves aside, we were treated to some wonderful photo opportunities. Bison, red fox, elk and moose all paid dividends, as did the surreal landscape cloaked in a mantel of white.

Bison in snowy Yellowstone National Park, USAYellowstone National Park in Winter, USA

Lugging one’s carbohydrate-laden body around this mountain landscape is hard work – the air at 7,000ft. deprives you of oxygen – so its fortunate that most photo-opportunities are close to the road making Yellowstone and Grand Tetons National Parks almost perfect photographic locations.

Yellowstone National Park in Winter, USAMoose in Yellowstone National Park in Winter, USA

The story of Yellowstone in many ways mirrors the story of America itself and its many ‘isms’ are as apparent here as they are in the heart of New York. Much of what is great about America manifests in the northern Rockies, as do many of the country’s challenges.  Differing ecological, cultural and economic perspectives drive debate over land use priorities in this area as they do elsewhere – in this respect Yellowstone is no different to the Scottish Highlands. The uniqueness of Yellowstone however, is that in recent decades, it has become a living laboratory. Ecologists and scientists from all over the world peer in on what many describe as the last remaining fully intact temperate ecosystem in the northern hemisphere. To that end what happens in Yellowstone is important to all of us interested in nature elsewhere. Already, ecological thinking about predator-prey relationships, founded in the Rockies, is emerging in Europe. We’re all part of a story in the making and it was a privilege for me, after an absence of several years, to spend some time with the story’s author despite the ‘isms’.

Yellowstone National Park in Winter, USAYellowstone National Park in Winter, USA

My thanks as ever to co-guide, top photographer (although I’d never say this to his face)  and best buddie Mark Hamblin and to our 20 intrepid guests, most of who will now be on a diet (or at least should be!)

Regular blog readers might remember two postings from Svalbard guest John Cumberland. Well John is blogging again so keep an eye out for his Yellowstone musings in the next week or so.

Our tour for 2014 is already full but if you’d like to be infected by Yellowstoneism in 2015, do drop us a line to register your interest.

Yellowstone and Grand Tetons in winter, USRed fox in snow, Yellowstone National Park, USA

Trumpeter swan in snow, Yellowstone National Park, USA


Winter blues (and pinks).

It’s barely light but already I can feel the heartache creeping through my veins. The landscape whistles past in a streaky blur but the tendrils of freezing mist stroking the white ground – attractive on their own – are made doubly so by the vivid pink of the dawn sky. It’s painfully beautiful and it’s painful not to be out there with my camera.

I’m on a train. I’m on a train to London. For a meeting. 9 hours there, 9 hours back and I’m feeling as far from being a nature photographer as I have since I first picked up a camera two decades ago. The last 5 years have seen me working on ambitious communication projects trying (and some might suggest for the most part, failing) to be a marketeer, an accountant, a business analyst, even a politician. In so many ways the results of these endeavours have been rewarding and certainly educational, but it’s not what I do; it’s not what I want to do.

The very kind waitress with a broad Northumbrian accent and a crisp ‘East Coast Trains’ uniform brings me sausage and mash, a perk of an expenses-paid first class seat. The sun is now up and the snow-laden Berwickshire coastline zips by glistening under an azure sky. My meeting is important, don’t get me wrong, but God I wish I was out with my camera, away from the inane chatter of slightly pretentious businessmen on their phones, away from first-class sausage and mash.

Loch Insh/River Spey in Winter, Scotland.

2013 is going to be another busy year but it will be my last busy year in terms of big photo projects with the attendant sitting on planes and trains. I want to go back to sitting in a cold hide, waiting for a creature, or shaft of light that might never appear; smelling the pine, tasting the peat. I want to craft new images, stretch my creative boundaries and tell new stories. I want to drink cold coffee from a cold flask not be served sausage and mash. And I want to laugh again.

As the train moves ever southwards towards the English capital, my heart drifts ever northwards to the Highlands and it’s my heart that I intend to follow in the coming years.


Top 3 mind-blowing, gut-wrenching, mouth-watering 2012 moments!

Well what a year! It’s easy to say that at the end of every year but 2012 really has been one to remember – not all for the best of reasons. So what have been the good bits? I mean the REALLY good bits? That’s tricky but if pushed, I can think of three very special moments that are etched on my mind for always. They weren’t necessarily planned or indeed expected; the resultant images are nothing more than pleasing, but for different reasons, the experiences remain vivid in my mind.

In 3rd place…

At midnight our work was done and although the Icelandic sun never sets at this time of year, we felt we’d had the best of it and headed back to our hotel. Our group were tired and so was my co-guide, Mark Hamblin, and I. But then the most surreal mist rolled in off the sea and my mind started racing. Mark and I have worked with each other often enough to know pretty much what the other is thinking so by the time we reached base camp, we knew we were heading out again. Along with the hardy few we looked for a subject to bring the scene to life. Given the choice I’d have gone for a red-throated diver and ten minutes later, that’s exactly what we’d found.

At 2.30am I was lying beside this small mist-enshrouded lake in the shadow of an ice-capped mountain, the silence broken only by the mournful call of this most enigmatic of all birds. And the sound of a handful of shutter buttons!

Red-throated diver, Iceland

In 2nd place…

In all honesty I should have some of the best osprey shots ever taken. Not only do I live in the bird’s UK stronghold, I have a pair nesting just a stone’s throw from home. I could make excuses about the difficult position of the nest, but that’s just what they’d be – excuses.

This year I took a slightly different approach (more of that in a future blog) and it’s very much a work in progress. Meantime, one afternoon from the comfort (read discomfort) of my hide, I was confronted by a brief and violent downpour, which coincided with the male osprey landing right in front of my hide with a fish. It was a heart-stopping moment as any encounter with this conservation icon always is. A few minutes later however, my heart was pounding for a different reason. The osprey nest sits next to the River Feshie, one of the fastest spate rivers in Europe. My hide sits on a shallow shingle spit in the river bed and I sit on a flimsy stool inside the flimsy hide. It’s all a bit flimsy if truth be told but everything works fine…as long as it doesn’t rain.

Osprey male eating fish in torrential rain, Glen Feshie, Cairngorms National Scotland, Scotland

And the top 2012 moment…

The polar bear had been feeding on a seal long before we spotted him in the distance. By the time we arrived on the scene, he was satiated and was intent on a long snooze. It was 4 in the morning and most of our small group were asleep in their cabins. Undeterred we decided a low-level shot from the zodiac might be worth pursuing and after several minutes of banging on doors, we had a bleary-eyed group of less-than-eager photographers assembled on deck.

Approaching the slumbering bear at a painfully slow speed we edged up to the ice floe and were initially met with nothing more than a dismissive glance. But bears being bears, this one wanted to check us out. He raised his lumbering head, then his lumbering body and started lumbering – straight towards us. He had that swagger of a top predator and all of a sudden we felt like trespassers, like intruders, like vulnerable intruders.

As he stood eye-level, too big to frame with my 500mm lens, you could power half of London with the electricity in that zodiac. As one of our guests remarked afterwards: “That was a thoroughly pleasing encounter.” (or unpublishable words to that effect)

Polar Bear in snow, Svalbard

Here’s wishing everyone more life-affirming experiences in the natural world during 2013. My thanks to friends, colleagues, guests and associates for not only the special moments above, but many more besides.


The Burden of Bosque.

There’s no doubt about it, I think too much. I burden myself with ethical dilemmas and over-analyse everything; it can’t be healthy and if I’m honest, it’s exhausting! Carefree colleague and friend Danny Green tells me not to look beyond next week and even advises against this blog becoming a philosophical platform, but I’m not built that way; I ponder and muse and often conclude that I’m trying to make sense of a world that makes little sense.

As much as anything it might be to do with middle-age (the point in life when you start looking back instead of forward) and consideration of your place in the world. I don’t think I’m alone in this respect. Picking up this month’s edition of Outdoor Photography, I see Niall Benvie looking back on career highlights; I read with interest Mark Sisson‘s route into nature photography and his inevitable reliance on tours and workshops, and I read Elliot Neep‘s well-written analysis of the impact of over-eager photo tourists in Africa. These are all signs of changing times and changing perspectives. Nothing is as certain as change.

Against this backdrop, I found myself last week in Bosque del Apache in New Mexico, a major wintering ground for snow geese and sandhill cranes, and one of the most heavily-visited wildlife photography locations in the world. I knew before the trip that I was unlikely to produce anything new and I didn’t. I knew that I had little commercial use for the images and I haven’t. But I also knew that knocking on the door of 50, this was something I wanted to see (and hear and smell) and so reason, logic and commercial justification were cast aside and off I went.

I joined a small group of photographers and we took lots of images. We ate New Mexico out of house and home and we laughed and joked. We saw lots of wildlife and some of the most spectacular sunsets I’ve witnessed anywhere. I didn’t analyse things too much (I’m lying now) and although I can’t say that I ‘connected’ with Bosque in the same way that I ‘connect’ with places closer to home, it was a great week and in many ways, took me back to why I first picked up a camera – not to over-calculate my every waking minute, but to have fun.

We are allowed a bit of fun aren’t we? I’ll have to think about that.

The tour was organised by Natures Images and my thanks to them and their guests for good photography and good company.

Edit: A gallery of images from Bosque can now be viewed here.


A.M.A.N.D.A. Nov’12

I recently scratched a lifelong itch: to visit Yellowstone National Park in the American west. Ever since Yogi first appeared on my TV, it’s been high on my “must do” list. And contrary to some itches that take years to scratch, it lived up to expectations and then some. I’m not going to bore you with endless holiday tales – this is after all a photography blog and I am after all, a photographer (of sorts).

I’m told I was an hour late for this shot – that’s because I was in bed of course!

A few days into our holiday I decided I really should improve my picture taking. Announcing that I would embark on some formal tuition once back home, Pete nearly choked on his maple syrup pancakes and immediately offered a (money-saving) crash course. He started talking about aperture and something to do with light but in all honesty, I had no idea what he was prattling on about and after 5 minutes the lesson (along with my photographic career), came to an abrupt end.

In spite of that I think I produced some first-rate pictures. Perhaps not fine art but decent enough for a beginner. During an evening critique session Pete scrolled through my portfolio wearing an expressionless face (not what I’m used to). After several silent minutes he announced that the only decent shot was of a pair of discarded knickers we found on the front steps of Old Faithful Inn. I think that says more about him than the standard of my photography. I would add by the way, that the knickers in question didn’t belong to me!

A moose kissing a statue of the largest member of the deer family (caption by Peter Cairns)

Kevin Costner he ain’t!!

All’s well that ends well!


Ultimate Autumn Gold Photo Tour 2012

My feet are wet (still), my back is killing me but my heart is full. Now don’t worry, I’m not about to embark on some sort of deep-rooted emotional outpouring (as if) but having just wrapped up our Ultimate Autumn Gold tour – our last of the year – I’m feeling quite…well…if not happy, at least content (I’m told by one of our guests that men are only ever ‘happy’ in short bursts – she may be right).

The 2012 Cairngorms colours were – still are – splendid and although the light could have been kinder, we were given moments of pure magic alongside the inevitable landscape photographer’s curse of self pity when things are “just not quite right.” They rarely are and we’re rarely happy; it’s just the way it is.

Skye was predictably wet (does anyone have an answer to keeping filters dry in driving rain?) but as ever, with hard work and a little imagination, the island delivered. One of my favourite photography locations in Scotland is a remote(ish) beach on Skye’s west coast and if it wasn’t for the rain, I’d probably still be there. Another favourite, Elgol, was full of mood and as each year passes, increasingly full of photographers, which is no bad thing in my book.

We dropped in on Glen Affric along with a seemingly obligatory stop at Ffordes camera shop for coffee and in the case of one guest, an ornamental ceramic cockerel (a vital photographic tool).

So back to happiness…or rather contentedness. There’s something special in sharing photographic experiences with like-minded people. I always say this so forgive the repetition, but we are truly fortunate in the chemistry, dynamics, profile, mix – call it what you will – of our groups. Ultimate Autumn Gold 2012 was no exception. We’re deadly serious about our photography – I hope that goes without saying – but outwith time in the field, there’s nothing wrong with having great fun. And we did lots of that on this tour. It’s important.

These images are not prize-winners but I hope you enjoy them nevertheless. Amidst the wind, the rain and the cold I enjoyed taking them because there’s only one thing better than being in wild places and that’s being in wild places with people who share a sense of the privilege of…well, life really. A sense of humour helps too.

Another year of photo tours draws to a close and with many happy – yes happy – memories in the bank, my thanks on this particular trip go to co-guide Mark Hamblin and (in no particular order) to Margaret (and the pot cockerel), Robyn, Jasmine (check out her cool fashion sense below), Marie, Steve, Kevin, Roger, Mike, Bob, Don, (that) Duncan and Jan for your excellent company. And do remember, men CAN whisk eggs.

If you’d like to join us next year for more photography and frolics in the autumnal Scottish Highlands, our expanded 2013 tour can be booked here

Despite appearances I can testify to the sanity of this strange creature.


Who’s the best nature photographer? And why?

I enjoy being alone but even I have a limit, so after two full days isolated on Shropshire’s Stiperstones ridge recently, I welcomed the arrival of another photographer and his obvious desire for some philosophical musing. After some collective grumping about the light, he popped the question: “So who’s the best nature photographer in your opinion?” I’ve been asked this a fair few times over the years and never been able to offer a definitive suggestion as to who, or a convincing argument as to why. This was no exception and I fudged my response but a 450-mile drive home gave me time to ponder.

There are many contenders in my book. My old buddy Mark Hamblin for his insane consistency; the annoyingly talented Vincent Munier for his visual artistry; the equally annoying Stefano Unterthiner for his ability to spot a story and nail it; colleagues Andy Rouse and Danny Green for their work ethic; Alex Mustard and Tom Peschak for their pioneering underwater work, ditto Paul Nicklen; Staffan Widstrand for his unrelenting drive; Orsi and Erlend Haarberg for showing us true beauty; Niall Benvie for provoking thought and discussion; Laurent Geslin for sticking to a tight plan and making the most of it. Sandra Bartocha for just being bloody good. And then there are the giants from across the pond – Mangelson, Brandenburg, Doubilet – all proven, committed and talented artists. There are of course many, many more.

I fudged my response to the young man at Stiperstones because it’s impossible to choose just one; it depends what the criteria is. There’s one thing that each one of these photographers has given me at different times: Inspiration. The question then is not “Who’s the best?” but “Who’s the most inspirational?” That of course is even more subjective and opens up a different can of worms (I can tell you though that despite my gratitude for years of help, Hamblin’s toilet etiquette puts him out of the running at this point. Ditto Benvie’s weird ideas about chocolate and Green’s pie-eating prowess. And Munier is just too nice to be inspirational).

Anyway back to the issue at hand. Around 20 years ago I nervously picked up the phone to Laurie Campbell who kindly offered me some advice on my rather naive perspective on a career in nature photography. At that time – and things have changed radically in the last two decades – Laurie was almost unique in his creative approach to capturing British wildlife on film (just google ‘film’ if you’re under 25). The range and extent of Laurie’s coverage remains unsurpassed even if his style has been endlessly emulated and, if Laurie doesn’t mind me saying, developed and improved. So in terms of personal inspiration, Laurie gets my vote even 20 years on.

But there’s something else to consider here. If there are two things in life that I can’t abide (other than Bush and Palin – sorry but my respect doesn’t even stretch to using their forenames) it’s cruelty and unfairness, however they might manifest. Laurie’s work, perhaps above all others, has shown consistent honesty, humility and regard for his subjects. In a world where competition increasingly drives unsavoury behaviour, these are undoubtedly traits to be proud of.

If any of us nature photographers are to leave a legacy, and in my opinion we should all at least try, it surely should be one of inspiring others. Occasionally being thanked for doing so is without question the greatest reward in this often-unrewarding work. I’m presently pondering my future direction (does that sound like a pretentious out-of-work actor?) but whatever I end up doing, I’ll strive to inspire. And I’ll strive to be fair. If I succeed in either I’ll be content.

I didn’t exchange details with the young man at Stiperstones but I’d like to thank him for catalysing a thought process. It won’t be the last time this subject is visited but at least when I’m next asked the question, I’ll have some thoughts put aside.

Votes of your own, criticism of mine and general comments welcomed. Perhaps we should all meet on Stiperstones ridge one day?


Fish Eaters of the North (Part 2)

More early starts, more late finishes, more highs (and in some cases very high highs) and the inevitable lows – this was the flavour of Fish Eaters part 2.

Image: Helena Spinks

We had lots of great dives at Rothiemurchus (thanks to Neil and Julian) and we had one unbelievable session with the dolphins (see image below) but I’m going to focus closer to home and make a bold and radical claim: 4 of our group have photographed something unique this week. Here’s the story. The osprey pair close to our base have two chicks this year, making four birds in total. As far as I’m aware, images of osprey chicks being fed away from the nest are, if not unique, rare indeed. The image below shows a recently rung fledgling being fed by its father. At one point, adult male, adult female and chick sat side by side on this perch – cool or what? This image took 1/250sec to produce but in reality, it’s taken nearly ten years to engineer a situation whereby our guests can get this sort of encounter and produce this sort of picture. A special experience for them and a very satisfying result for me personally.

Image: Chris Hatch

Well done to all of our Fish Eaters crew – it’s been a blast.

Image: Karen Hatch